I managed to add quite a few physical books to my collection this month. A few of them were from my mom and sister who sent me some books for Christmas. I also just found some books that sounded so good I had to get them. I already shared a thrift store haul earlier this month so I won’t be sharing those today.
From the New York Times bestselling author of Star Wars: Resistance Reborn comes the first book in the Between Earth and Sky trilogy, inspired by the civilizations of the Pre-Columbian Americas and woven into a tale of celestial prophecies, political intrigue, and forbidden magic.
A god will return
When the earth and sky converge
Under the black sun
In the holy city of Tova, the winter solstice is usually a time for celebration and renewal, but this year it coincides with a solar eclipse, a rare celestial event proscribed by the Sun Priest as an unbalancing of the world.
Meanwhile, a ship launches from a distant city bound for Tova and set to arrive on the solstice. The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.
Crafted with unforgettable characters, Rebecca Roanhorse has created an epic adventure exploring the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in the most original series debut of the decade.
In the aftermath of Headmaster Boddy’s murder, Blackbrook Academy has been thrown into complete disarray. Half the student body hasn’t bothered to return to campus—but those who have include Orchid, Vaughn, Scarlett, Peacock, Plum, and Mustard, now warily referred to by the other students as the Murder Crew. When another staff member is found dead and an anonymous threat begins to target the group, each of the teens’ opportunistic reasons for sticking around come to light. Orchid’s identity comes under question while Vaughn’s family life takes a turn; Finn and Mustard grow closer; and Scarlett and Beth struggle to turn over new leaves. All of this comes to a dramatic head at Tudor House with a cliff-hanger…
A powerful debut novel of a refuge in Brooklyn for women in trouble—and the one woman who will risk all to protect them.
In the Bedford-Stuyvesant neighborhood of Brooklyn stands a century-old row house presided over by renegade, silver-haired Sister Evelyn. Gruff and indomitable on the surface, warm and wry underneath, Evelyn and her fellow sisters makes Mercy House a safe haven for the abused and abandoned.
Women like Lucia, who arrives in the dead of night; Mei-Li, the Chinese and Russian house veteran; Desiree, a loud and proud prostitute; Esther, a Haitian immigrant and aspiring collegiate; and Katrina, knitter of lumpy scarves… all of them know what it’s like to be broken by men.
Little daunts Evelyn, until she receives word that Bishop Robert Hawkins is coming to investigate Mercy House and the nuns, whose secret efforts to help the women in ways forbidden by the Church may be uncovered. But Evelyn has secrets too, dark enough to threaten everything she has built.
Evelyn will do anything to protect Mercy House and the vibrant, diverse women it serves—confront gang members, challenge her beliefs, even face her past. As she fights to defend all that she loves, she discovers the extraordinary power of mercy and the grace it grants, not just to those who receive it, but to those strong enough to bestow it.
Christmas is just around the corner, and the ladies of the Cumberland Creek Scrapbook Crop are thrilled when Sheila wins the first place prize in a scrapbooking design contest: a ten-day scrapbook-themed cruise in the Caribbean. Vera and Paige decide to tag along, which should pose the perfect opportunity to learn some new techniques, mingle with fellow croppers, and get in some rest and relaxation before the chaos of Christmas. But when Sheila finds a famous crafter dead, and investigators determine she was poisoned, the luxury cruise veers toward disaster as Sheila becomes the number one suspect–or was she really the intended victim? Just as the croppers begin un-wrapping the truth, a storm strands them at sea, and they’ll find it’s harder than ever to survive the holidays with a killer on deck.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE AND KIRKUS REVIEWS – “In the smart, breezy, sweet spot between Meg Wolitzer and Elin Hilderbrand.”–Entertainment Weekly
No matter what the world throws her way, at least Ruthie Beamish has the house. Located by the sea in a quiet Long Island village, the house is her nest egg–the retirement account shared with her ex-husband, Mike, and the college fund for their teenage daughter, Jem. The catch? To afford the house, Ruthie must let it go during the best part of the year.
It’s Memorial Day weekend and the start of what Jem calls “the summer bummer” the family’s annual exodus to make way for renters. This year, the Hamptons set has arrived. Adeline Clay is elegant and connected–and will never need to worry about money. Before long, she demonstrates an uncanny ability to help herself to Ruthie’s life. Is Adeline just being her fabulous self, or is she out to take what she wants?
When an eccentric billionaire, his wayward daughter, a coterie of social climbers, and Ruthie’s old flame are thrown into the mix, the entire town finds itself on the verge of tumultuous change. But as Ruthie loses her grasp on her job, her home, and her family, she discovers a new talent for pushing back. By the end of one unhinged, unforgettable summer, nothing will be the same–least of all Ruthie.
A modern classic, Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, their eccentric and remote aunt. The family house is in the small Far West town of Fingerbone set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck, and their mother drove off a cliff to her death. It is a town “chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere.” Ruth and Lucille’s struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience.
A new verse rendering of the great epic of ancient Mesopotamia, one of the oldest works in Western Literature. Ferry makes Gilgamesh available in the kind of energetic and readable translation that Robert Fitzgerald and Richard Lattimore have provided for readers in their translations of Homer and Virgil.
The Stone Diaries is one ordinary woman’s story of her journey through life. Born in 1905, Daisy Stone Goodwill drifts through the roles of child, wife, widow, and mother, and finally into her old age. Bewildered by her inability to understand her place in her own life, Daisy attempts to find a way to tell her story within a novel that is itself about the limitations of autobiography. Her life is vivid with incident, and yet she feels a sense of powerlessness. She listens, she observes, and through sheer force of imagination she becomes a witness of her own life: her birth, her death, and the troubling missed connections she discovers between. Daisy’s struggle to find a place for herself in her own life is a paradigm of the unsettled decades of our era. A witty and compassionate anatomist of the human heart, Carol Shields has made distinctively her own that place where the domestic collides with the elemental. With irony and humor she weaves the strands of The Stone Diaries together in this, her richest and most poignant novel to date.
The New York Times bestselling author of Flight Behavior, The Lacuna, and The Poisonwood Bible and recipient of numerous literary awards—including the National Humanities Medal, the Dayton Literary Peace Prize, and the Orange Prize—returns with a timely novel that interweaves past and present to explore the human capacity for resiliency and compassion in times of great upheaval.
Willa Knox has always prided herself on being the embodiment of responsibility for her family. Which is why it’s so unnerving that she’s arrived at middle age with nothing to show for her hard work and dedication but a stack of unpaid bills and an inherited brick home in Vineland, New Jersey, that is literally falling apart. The magazine where she worked has folded, and the college where her husband had tenure has closed. The dilapidated house is also home to her ailing and cantankerous Greek father-in-law and her two grown children: her stubborn, free-spirited daughter, Tig, and her dutiful debt-ridden, ivy educated son, Zeke, who has arrived with his unplanned baby in the wake of a life-shattering development.
In an act of desperation, Willa begins to investigate the history of her home, hoping that the local historical preservation society might take an interest and provide funding for its direly needed repairs. Through her research into Vineland’s past and its creation as a Utopian community, she discovers a kindred spirit from the 1880s, Thatcher Greenwood.
A science teacher with a lifelong passion for honest investigation, Thatcher finds himself under siege in his community for telling the truth: his employer forbids him to speak of the exciting new theory recently published by Charles Darwin. Thatcher’s friendships with a brilliant woman scientist and a renegade newspaper editor draw him into a vendetta with the town’s most powerful men. At home, his new wife and status-conscious mother-in-law bristle at the risk of scandal, and dismiss his financial worries and the news that their elegant house is structurally unsound.
Brilliantly executed and compulsively readable, Unsheltered is the story of two families, in two centuries, who live at the corner of Sixth and Plum, as they navigate the challenges of surviving a world in the throes of major cultural shifts. In this mesmerizing story told in alternating chapters, Willa and Thatcher come to realize that though the future is uncertain, even unnerving, shelter can be found in the bonds of kindred—whether family or friends—and in the strength of the human spirit.
Coming home dredges up deeply buried secrets…
Kieran Elliott’s life changed forever on the day a reckless mistake led to devastating consequences.
The guilt that still haunts him resurfaces during a visit with his young family to the small coastal community he once called home.
Kieran’s parents are struggling in a town where fortunes are forged by the sea. Between them all is his absent brother, Finn.
When a body is discovered on the beach, long-held secrets threaten to emerge. A sunken wreck, a missing girl, and questions that have never washed away…
Jemma knows who the murderer is. She knows because he told her.
He thought his secret was safe because Jemma can’t speak or move.
But Jemma observes all kinds of things about everyone around her. His secret is just one of them.
And when a new technology means she may be able to communicate and reveal all she knows, Jemma no longer feels powerless in the face of this deadly secret. It’s a race against time before the killer acts again…or tries to stop her.
A novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence.
Isaiah was Samuel’s and Samuel was Isaiah’s. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.
With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.
A poignant, charming novel about a crime that never took place, a would-be bank robber who disappears into thin air, and eight extremely anxious strangers who find they have more in common than they ever imagined
Looking at real estate isn’t usually a life-or-death situation, but an apartment open house becomes just that when a failed bank robber bursts in and takes a group of strangers hostage. The captives include a recently retired couple who relentlessly hunt down fixer-uppers to avoid the painful truth that they can’t fix up their own marriage. There’s a wealthy banker who has been too busy making money to care about anyone else and a young couple who are about to have their first child but can’t seem to agree on anything, from where they want to live to how they met in the first place. Add to the mix an eighty-seven-year-old woman who has lived long enough not to be afraid of someone waving a gun in her face, a flustered but still-ready-to-make-a-deal real estate agent, and a mystery man who has locked himself in the apartment’s only bathroom, and you’ve got the worst group of hostages in the world.
Each of them carries a lifetime of grievances, hurts, secrets, and passions that are ready to boil over. None of them is entirely who they appear to be. And all of them—the bank robber included—desperately crave some sort of rescue. As the authorities and the media surround the premises, these reluctant allies will reveal surprising truths about themselves and set in a motion a chain of events so unexpected that even they can hardly explain what happens next.
Humorous, compassionate, and wise, Anxious People is an ingeniously constructed story about the enduring power of friendship, forgiveness, and hope—the things that save us, even in the most anxious of times.
The Crucible meets True Grit in this riveting adventure story of a fugitive girl, a mysterious gang of robbers, and their dangerous mission to transform the Wild West.
In the year of our Lord 1894, I became an outlaw.
The day of her wedding, 17 year old Ada’s life looks good; she loves her husband, and she loves working as an apprentice to her mother, a respected midwife. But after a year of marriage and no pregnancy, in a town where barren women are routinely hanged as witches, her survival depends on leaving behind everything she knows.
She joins up with the notorious Hole in the Wall Gang, a band of outlaws led by a preacher-turned-robber known to all as the Kid. Charismatic, grandiose, and mercurial, the Kid is determined to create a safe haven for outcast women. But to make this dream a reality, the Gang hatches a treacherous plan that may get them all killed. And Ada must decide whether she’s willing to risk her life for the possibility of a new kind of future for them all.
Featuring an irresistibly no-nonsense, courageous, and determined heroine, Outlawed dusts off the myth of the old West and reignites the glimmering promise of the frontier with an entirely new set of feminist stakes. Anna North has crafted a pulse-racing, page-turning saga about the search for hope in the wake of death, and for truth in a climate of small-mindedness and fear.
Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago—from National Book Award finalist Brandon Hobson
In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation.
With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death, and a rare moment in which they openly talk about his memory—Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest’s mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite—or perhaps because of—his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo.
Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma—a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.