23 in 2023

Happy New Year! I’m going to skip over most of the end of year/ beginning of year content since I’m picking back up the second week of the year. But I did want to post about the 23 books from my physical book shelves that I’m hoping to read this year. I don’t think I finished either of my lists like this the past two years. I’m hoping to be more intentional with this list and keep in the forefront of my mind while choosing books this year.

The only other 2023 related thing I want to mention is that I’m going to stay away from curated TBR’s this year and just use books that I read to fulfill prompts if/when they fit. I’m also aiming for around half the books I read this year to be from my Netgalley shelf since I have such a backlog of books on there.

Taking place in the years leading up to the First Reform Bill of 1832, Middlemarch explores nearly every subject of concern to modern life: art, religion, science, politics, self, society, human relationships. Among her characters are some of the most remarkable portraits in English literature: Dorothea Brooke, the heroine, idealistic but naive; Rosamond Vincy, beautiful and egoistic: Edward Casaubon, the dry-as-dust scholar: Tertius Lydgate, the brilliant but morally-flawed physician: the passionate artist Will Ladislaw: and Fred Vincey and Mary Garth, childhood sweethearts whose charming courtship is one of the many humorous elements in the novel’s rich comic vein.

Thousands of miles away from the small township of ‘Salem’s Lot, two terrified people, a man and a boy, still share the secrets of those clapboard houses and tree-lined streets. They must return to ‘Salem’s Lot for a final confrontation with the unspeakable evil that lives on in the town.

“Last night I dreamt I went to Manderley again…”

Ancient, beautiful Manderley, between the rose garden and the sea, is the county’s showpiece. Rebecca made it so – even a year after her death, Rebecca’s influence still rules there. How can Maxim de Winter’s shy new bride ever fill her place or escape her vital shadow?

A shadow that grows longer and darker as the brief summer fades, until, in a moment of climatic revelations, it threatens to eclipse Manderley and its inhabitants completely…

An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price.

Until something goes wrong. . . .

In Jurassic Park, Michael Crichton taps all his mesmerizing talent and scientific brilliance to create his most electrifying technothriller.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.

The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation’s past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell, whose displays of magic send a thrill through the country.

Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of another magician: the brilliant novice Jonathan Strange.

Young, handsome and daring, Strange is the very antithesis of Norrel. So begins a dangerous battle between these two great men which overwhelms that between England and France. And their own obsessions and secret dabblings with the dark arts are going to cause more trouble than they can imagine.

The Sentence asks what we owe to the living, the dead, to the reader and to the book.

A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store’s most annoying customer. Flora dies on All Souls’ Day, but she simply won’t leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading with murderous attention, must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.

The Sentence begins on All Souls’ Day 2019 and ends on All Souls’ Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.

From the Man Booker finalist and bestselling author of We Are All Completely Beside Ourselves comes an epic and intimate novel about the family behind one of the most infamous figures in American history: John Wilkes Booth.

In 1822, a secret family moves into a secret cabin some thirty miles northeast of Baltimore, to farm, to hide, and to bear ten children over the course of the next sixteen years. Junius Booth–breadwinner, celebrated Shakespearean actor, and master of the house in more ways than one–is at once a mesmerizing talent and a man of terrifying instability. One by one the children arrive, as year by year, the country draws frighteningly closer to the boiling point of secession and civil war.

As the tenor of the world shifts, the Booths emerge from their hidden lives to cement their place as one of the country’s leading theatrical families. But behind the curtains of the many stages they have graced, multiple scandals, family triumphs, and criminal disasters begin to take their toll, and the solemn siblings of John Wilkes Booth are left to reckon with the truth behind the destructively specious promise of an early prophecy.

Booth is a startling portrait of a country in the throes of change and a vivid exploration of the ties that make, and break, a family.

On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. Unless…

In 2011, Jake Epping, an English teacher from Lisbon Falls, Maine, sets out on an insane — and insanely possible — mission to prevent the Kennedy assassination.

Leaving behind a world of computers and mobile phones, he goes back to a time of big American cars and diners, of Lindy Hopping, the sound of Elvis, and the taste of root beer.

In this haunting world, Jake falls in love with Sadie, a beautiful high school librarian. And, as the ominous date of 11/22/63 approaches, he encounters a troubled loner named Lee Harvey Oswald…

The 2020 National Book Award–nominated poet makes her fiction debut with this magisterial epic—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—that chronicles the journey of one American family, from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.

The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.

Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.

To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.

No one ever said life was easy. But Ponyboy is pretty sure that he’s got things figured out. He knows that he can count on his brothers, Darry and Sodapop. And he knows that he can count on his friends – true friends who would do anything for him, like Johnny and Two-Bit. And when it comes to the beating up on “greasers” like him and his friends – he knows that he can count on them for trouble. But one night someone takes things too far, and Ponyboy’s world is turned upside down…

A young Swedish boy finds himself penniless and alone in California. He travels east in search of his brother, moving on foot against the great push to the west. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.

At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.

Heidi is the timeless tale of the orphan girl Heidi, who lives with her grandfather in the mountains of Switzerland and who brings cheer and comfort into the lives of all who know her.

“Jarvious Cotton’s great-great-grandfather could not vote as a slave. His great-grandfather was beaten to death by the Klu Klux Klan for attempting to vote. His grandfather was prevented from voting by Klan intimidation; his father was barred by poll taxes and literacy tests. Today, Cotton cannot vote because he, like many black men in the United States, has been labeled a felon and is currently on parole.”

As the United States celebrates the nation’s “triumph over race” with the election of Barack Obama, the majority of young black men in major American cities are locked behind bars or have been labeled felons for life. Although Jim Crow laws have been wiped off the books, an astounding percentage of the African American community remains trapped in a subordinate status–much like their grandparents before them.

In this incisive critique, former litigator-turned-legal-scholar Michelle Alexander provocatively argues that we have not ended racial caste in America: we have simply redesigned it. Alexander shows that, by targeting black men and decimating communities of color, the U.S. criminal justice system functions as a contemporary system of racial control, even as it formally adheres to the principle of color blindness. The New Jim Crow challenges the civil rights community–and all of us–to place mass incarceration at the forefront of a new movement for racial justice in America.

“DESTINY IS A CHOICE”

The Atlas Paradox is the long-awaited sequel to dark academic sensation The Atlas Six—guaranteed to have even more yearning, backstabbing, betrayal, and chaos.

Alan Conway is a bestselling crime writer. His editor, Susan Ryeland, has worked with him for years, and she’s intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. Alan’s traditional formula pays homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers. It’s proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.

When Susan receives Alan’s latest manuscript, in which Atticus Pünd investigates a murder at Pye Hall, an English manor house, she has no reason to think it will be any different from the others. There will be dead bodies, a cast of intriguing suspects, and plenty of red herrings and clues. But the more Susan reads, the more she’s realizes that there’s another story hidden in the pages of the manuscript—one of ambition, jealousy, and greed—and that soon it will lead to murder.

Masterful, clever, and ruthlessly suspenseful, Magpie Murders is a deviously dark take on vintage crime fiction.

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her?

Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

What if the person you thought you knew best turns out to be someone you never knew at all . . . ?

Andrea knows everything about her mother, Laura. She knows she’s spent her whole life in the small beachside town of Belle Isle; she knows she’s never wanted anything more than to live a quiet life as a pillar of the community; she knows she’s never kept a secret in her life. Because we all know our mothers, don’t we?

But all that changes when a trip to the mall explodes into violence and Andrea suddenly sees a completely different side to Laura. Because it turns out that before Laura was Laura, she was someone completely different. For nearly thirty years she’s been hiding from her previous identity, lying low in the hope that no one would ever find her. But now she’s been exposed, and nothing will ever be the same again.

The police want answers and Laura’s innocence is on the line, but she won’t speak to anyone, including her own daughter. Andrea is on a desperate journey following the breadcrumb trail of her mother’s past. And if she can’t uncover the secrets hidden there, there may be no future for either one of them. . . .

Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones.

A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s—a darkness that threatens to forever transform them once they finally succumb to their most horrific desires.

A couple isolate themselves on a remote island, in an attempt to recover from their teenage son’s death, when a mysterious young man knocks on their door during a storm…

And a man confronts his neighbour when he discovers a strange object in his back yard, only to be drawn into an ever-more dangerous game.

From Bram Stoker Award® finalist Eric LaRocca, this is devastating, beautifully written horror from one of the genre’s most cutting-edge voices.

What have you done today to deserve your eyes?

Twins imbued with incredible magic and near-immortality will do anything to keep their family safe—even if it tears the siblings apart—in the first book of a mythic epic fantasy from the New York Times bestselling author of Wilder Girls.

Rhea and her twin brother, Lexos, have spent an eternity helping their father rule their small, unstable country, using their control over the seasons, tides, and stars to keep the people in line. For a hundred years, they’ve been each other’s only ally, defending each other and their younger siblings against their father’s increasingly unpredictable anger.

Now, with an independence movement gaining ground and their father’s rule weakening, the twins must take matters into their own hands to keep their family—and their entire world—from crashing down around them. But other nations are jockeying for power, ready to cross and double cross, and if Rhea and Lexos aren’t careful, they’ll end up facing each other across the battlefield.

A brilliantly inventive new novel about loss, growing up, and our relationship with things, by the Booker Prize-finalist author of A Tale for the Time Being

After the tragic death of his beloved musician father, fourteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house–a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn’t understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.

At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world, where “things happen.” He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.

And he meets his very own Book–a talking thing–who narrates Benny’s life and teaches him to listen to the things that truly matter.

With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki–bold, wise, poignant, playful, humane and heartbreaking.

The Fairway Players, a local theatre group, is in the midst of rehearsals when tragedy strikes the family of director Martin Hayward and his wife Helen, the play’s star. Their young granddaughter has been diagnosed with a rare form of cancer, and with an experimental treatment costing a tremendous sum, their castmates rally to raise the money to give her a chance at survival. But not everybody is convinced of the experimental treatment’s efficacy—or of the good intentions of those involved. As tension grows within the community, things come to a shocking head at the explosive dress rehearsal. The next day, a dead body is found, and soon, an arrest is made. In the run-up to the trial, two young lawyers sift through the material—emails, messages, letters—with a growing suspicion that the killer may be hiding in plain sight. The evidence is all there, between the lines, waiting to be uncovered.