Victober TBR

Victober is the last of the four readathons I’m participating in. I have done this month long Victorian literature readathon every year that I’ve known about it. However, with how busy October is both life and reading wise I don’t know how successful I’ll be with this readathon. I know that I will be participating in the group read since the hosts have kindly broken it down into what chapters we need to read each day. Also, the first book that I’m going to share on this TBR will fulfill every other prompt so if I only get to that one then I will have succeeded. But because I enjoy finding a book for every prompt and so I have more options for Spookoplathon I’m still sharing what I would read for each prompt if I had the time to read them all.

Kate’s challenge: Read a Victorian work featuring a stranger/outsider 

Charlotte Brontë tells the story of orphaned Jane Eyre, who grows up in the home of her heartless aunt, enduring loneliness and cruelty. This troubled childhood strengthens Jane’s natural independence and spirit – which prove necessary when she finds employment as a governess to the young ward of Byronic, brooding Mr Rochester. As her feelings for Rochester develop, Jane gradually uncovers Thornfield Hall’s terrible secret, forcing her to make a choice. Should she stay with Rochester and live with the consequences, or follow her convictions – even if it means leaving the man she loves? A novel of intense power and intrigue, Jane Eyre dazzled readers with its passionate depiction of a woman’s search for equality and freedom.

Katie’s challenge: Read a piece of Victorian ‘New Woman’ fiction

Gilbert Markham is deeply intrigued by Helen Graham, a beautiful and secretive young woman who has moved into nearby Wildfell Hall with her young son. He is quick to offer Helen his friendship, but when her reclusive behaviour becomes the subject of local gossip and speculation, Gilbert begins to wonder whether his trust in her has been misplaced. It is only when she allows Gilbert to read her diary that the truth is revealed and the shocking details of the disastrous marriage she has left behind emerge. Told with great immediacy, combined with wit and irony, The Tenant of Wildfell Hall is a powerful depiction of a woman’s fight for domestic independence and creative freedom.

Marissa’s challenge: Read a Victorian work by an author who is new to you

George Eliot’s novel, Middlemarch: A Study of Provincial Life, explores a fictional nineteenth-century Midlands town in the midst of modern changes. The proposed Reform Bill promises political change; the building of railroads alters both the physical and cultural landscape; new scientific approaches to medicine incite public division; and scandal lurks behind respectability. The quiet drama of ordinary lives and flawed choices are played out in the complexly portrayed central characters of the novel–the idealistic Dorothea Brooke; the ambitious Dr. Lydgate; the spendthrift Fred Vincy; and the steadfast Mary Garth. The appearance of two outsiders further disrupts the town’s equilibrium–Will Ladislaw, the spirited nephew of Dorothea’s husband, the Rev. Edward Casaubon, and the sinister John Raffles, who threatens to expose the hidden past of one of the town’s elite. Middlemarch displays George Eliot’s clear-eyed yet humane understanding of characters caught up in the mysterious unfolding of self-knowledge. This Penguin Classics edition uses the second edition of 1874 and features an introduction and notes by Eliot-biographer Rosemary Ashton. In her introduction, Ashton discusses themes of social change in Middlemarch, and examines the novel as an imaginative embodiment of Eliot’s humanist beliefs.

Petra’s challenge: Read a Victorian first-person narrative 

‘In one moment, every drop of blood in my body was brought to a stop… There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white’

The Woman in White famously opens with Walter Hartright’s eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his ‘charming’ friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.

Ros’s challenge: Read a Victorian work in which class features strongly

*This is the group book for the readathon.

“Trollope did not write for posterity,” observed Henry James. “He wrote for the day, the moment; but these are just the writers whom posterity is apt to put into its pocket.” 

Considered by contemporary critics to be Trollope’s greatest novel, The Way We Live Now is a satire of the literary world of London in the 1870s and a bold indictment of the new power of speculative finance in English life. “I was instigated by what I conceived to be the commercial profligacy of the age,” Trollope said. His story concerns Augustus Melmotte, a French swindler and scoundrel, and his daughter, to whom Felix Carbury, adored son of the authoress Lady Carbury, is induced to propose marriage for the sake of securing a fortune. Trollope knew well the difficulties of dealing with editors, publishers, reviewers, and the public; his portrait of Lady Carbury, impetuous, unprincipled, and unswervingly devoted to her own self-promotion, is one of his finest satirical achievements.

His picture of late nineteenth century England is of a society on the verge of moral bankruptcy, where the traditional virtues of Tory squirearchy, represented by Roger Carbury, prove to be no match for the financial genius of Augustus Melmotte. In The Way We Live Now Trollope combines his talents as a portraitist and his skills as a storyteller to give us life as it was lived more than a hundred years ago.